In Another Country: Selected Stories
Charlotte Rampling is nominated for an Oscar for Best Actress in 45 Years, a film based on a David Constantine short story.
The stories of David Constantine are unlike any others. His characters possess you instantly, making you see the world as they do – sometimes as exiles, driven into isolation by convictions that even they don’t fully understand; sometimes as carriers of an unspoken but unbearable weight. The things they pursue, or evade, are often unseen and at a distance – like the perfectly preserved body of a woman in the title story, waiting to be discovered in the receding ice of a Swiss glacier. These tokens of the past, or future, haunt Constantine’s characters, but the landscapes that produce them also offer salvation, places of refuge or small treasures to take solace in – like the piece of driftwood a beachcomber chooses to carve into his idea of perfection.
Gathering together stories from over two decades of writing, this selection demonstrates why Constantine has been hailed as ‘perhaps the finest of contemporary writers in this form’. Their bewitching and urgent language is at one and the same time unsettling and ‘strong enough to help’.
Featuring the story, 'In Another Country', that inspired the motion picture, 45 Years. Also featuring selected stories from David Constantine's Comma Press back catalogue : Under The Dam (2005); The Shieling (2009); Tea at the Midland (2012).
45 Years has its UK release on Friday 28h August (Film4 / BFI) starring Charlotte Rampling and Tom Courtenay. Directed by Andrew Haigh (Weekend , HBO’s Looking).
'The most striking stories tend to share motifs while circling secret and unresolved situations: "The Necessary Strength" with its broken family in an idyllic setting; "Wishing Well" with the incoming tide as an imaginary threat; and "Tea at the Midland", a concise meditation on art's independence from morality' - Michael Caines, Times Literary Supplement
'...each piece here is
placed beautifully against its neighbours and linked delicately by settings
such as caves or homes beneath train lines' - New Welsh Review
'...the chambers of life and death profoundly intertwined' - Financial Times
'David Constantine is one of Britain's most underrated writers (...) his balance of the lyrical and the sparse echoes John Williams, James Salter and John McGahern' - Huffington Post
'The stories of the In Another Country collection are powerful things.' - Read the interview David did with The Skinny
'...so rich and thought-provoking, so deserving of slow and careful reading, that I found myself able to imbibe only one or two at a time.' - Book Oxygen
Read David talking about the true story behind his short story, 'In Another Country', that inspired the film 45 Years in the Telegraph
'Each piece here is placed beautifully against its neighbours and linked delicately by settings such as caves or homes beneath trainlines' - New Welsh Review
David talks to Northern Soul.
'This is a world of strange, abandoned or forgotten places... This is a world of the margins'. - Sabotage Reviews
Hear Michael Caines from the Time Literary Supplement reading 'Tea at the Midland'.
Praise for David Constantine
Winner of the Frank o' Connor short story prize for his collection, Tea at the Midland.-‘Flawless and unsettling’ - Boyd Tonkin, Books of the Year 2005, The Independent
Winner of the BBC short story award for the story 'Tea at the Midland'.
-‘Every sentence is both unpredictable and exactly what it should be.’ - AS Byatt, Book of the Week, The Guardian
-‘The excellence of the collection is fractal: the whole book is excellent, and every story is excellent, and every paragraph is excellent, and every sentence is excellent. And, unlike some literary fiction, it's effortless to read.' - The Independent on Sunday
-'Masterful... pregnant with fluctuating interpretations and concealed motives.' - The Guardian
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- 24 Aug 2015
About the Author
More by David Constantine
The characters in David Constantine’s fourth collection are often delicately caught in moments of defiance. Constantine’s bewitching, finely-wrought stories give us permission to escape.
The characters in David Constantine’s remarkable new collection are united by an urge to absent themselves, to abscond from the intolerable pressures of normal life and withdraw into strange ideas, political causes, even private languages.
Entering Constantine’s stories is like stepping out into a wind of words, a swarm of language. His prose is as fluid as the water that surges and swells through all his landscapes.