Short Story Course with Sarah Schofield, Manchester

9 Oct 2019 - 6.00PM

Location: Awol Studios (5th Floor), Hope Mill, 113 Pollard Street, Manchester, M4 7JA

Time: 6:00-8:00pm

Price: £180 for the full course + 2 x £100 fee for single-parent writers, or writers in receipt of a means tested benefit, personal independence payments, or disability living allowance (please contact info@commapress.co.uk for more information)


Attendees must pay for full course - individual course units not available separately.

Dates: Six workshops are held over a 6 month period, on the second Wednesday of the month, to enable you to complete writing assignments:

9th October 2019

13th November 2019

11th December 2019

8th January 2020

12th February 2020

11th March 2020


Tickets can be purchased from Becca Parkinson, to register your place please contact her on becca.parkinson@commapress.co.uk

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This course is about the short story …

Over the course of 6 workshops, you’ll get a handle on the predominant narrative structures used by short story writers, and implement them in your own work. Completing set writing tasks between workshops, and receiving structured, peer-driven feedback, you’ll develop 3 short stories to completion, with tailored advice on how to shape the story, and how to improve the characterisation, dialogue, and narrative voice. Comma Press, one of the UK’s leading publishers of short fiction is always looking for new voices in short fiction and our courses have a strong history of producing prize-winning short story talent. 

What you need to be familiar with …

You don’t necessarily need any practical experience of writing stories, nor of supervised creative writing of any kind, but it’s important that you have an interest in, and enthusiasm for, the short story form. To get the most from the course, you should be prepared do some background reading, undertake writing tasks between sessions, read the work of others on the course prior to each session, offer tactful – yet frank – feedback, and receive constructive criticism on your own work. The course isn’t geared towards any particular sub-genre within the short story form – be it literary fiction, sci-fi, or horror – we’ll be looking at techniques applicable to all these genres.

What we won’t cover …

This isn’t a course devised to help you write a novel, a novella, poetry, micro-fiction, or biography – it’s all about the short story, which presents its own specific demands and opportunities to writers (for the avoidance of doubt, short stories typically weigh in at somewhere between 1500 and 8000 words long, for the purpose of this course we will be looking at stories up to 5,000 words long).

Equipment you’ll need …

Something to write with (pen and paper will do) during sessions, and a computer and internet access at home, to upload your work in progress to the online drop box, or email to the group. If you prefer to print out other people’s work to read prior to the sessions (rather than reading from a screen), you’ll need to do this at your own expense.

About the Tutor …
 
Sarah Schofield's prizes include the Writers Inc Short Story Competition and the Calderdale Short Story Competition. She was shortlisted for the Bridport Prize in 2010 and was runner up in The Guardian Travel Writing Competition, and currently teaches Creative Writing at Edgehill University. Her stories have appeared in several Comma's anthologies: Lemistry, Bio-Punk, Beta-Life, Spindles, and the Thought X and The Mirror in the Mirror anthologies. She is currently working on her first collection.